Table of Contents
Queer Rhetoric and the Pleasures of the Archive
Jonathan Alexander, University of California, Irvine
Jacqueline Rhodes, California State University, San Bernardino
Writing Myself Into Existence: A Writer's Odyssey in the Form of an Abecedarian of Sorts
Arthur Asa Berger, San Francisco State University
More than a local history: An Interview with David Fleming
Annette Vee, University of Pittsburgh
Neo-Expressivisms
Foreword
Byron Hawk, University of South Carolina
Meditation and Method: Reflections on the Relationship Between Discourse and Time
Paul Kameen, University of Pittsburgh
Dancing with Don: Or, Waltzing With ‘Expressivism’
Bronwyn Williams, University of Louisville
Deleuze: (Neo)Expressivism in Composition
Joshua Hilst, Utah Valley State University
Remixes and Re-visions
Foreword
Byron Hawk
Ambient Composition: Exteriorizing Donald Murray's "The Interior View"
Thomas Rickert, Purdue University
'Trip the Light Anaclastic: A Remix of Virginia Burke’s 1959 'Why Not Try Collage?'
Matthew Levy, Pacific Lutheran University
Reviews
Digital Memory and Narrative through “African American Rhetoric[s] 2.0”
Nicole Ashanti McFarlane, Clemson University
Transformative Writing through Self-Direction
Jill Parrott, Eastern Kentucky University
Wit and Hope
Drew Loewe, St. Edward's University
Fast Philosophy: Fast Feminism and Performance Writing
Jill Morris, Frostburg State University